44183
spring1999:



Junya Watanabe F/W 2000, “Techno Couture”


As a designer for Comme des Garçons, Junya Watanabe excelled by fusing Kawakubo’s confrontational approach to traditional form with his own love of hyperbole and ironic historicism. Impressed by his interest in tactile manipulation, Rei Kawakubo helped Watanabe found his own fashion house, which currently offers some of the most avant-garde constructions in Japanese fashion.
The ruff’s accelerated inflation to shoulder-wide dimension in the sixteenth and seventeenth centuries did not anticipate Junya Watanabe’s torso-encompassing rendering of the style. To accomplish the extraordinary scale of his ruff, Watanabe required a polyester chiffon that could hold its shape. No silk organza was able to do so. Despite all its reliance on technological innovation for the fabric, this design, from Watanabe’s “Techno Couture” collection, was stitched together by hand.
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"なぜなら、世界の中心というのは 一カ所しかないが、「世界のはじっこ」は無数にあるからね。"
lameteodujour:

Arocha & Schraenen/ Chairl/ 2010
1754
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"一般に、「虐待を受けた人は、子どもにも繰り返す」という世代間連鎖が信じられてきましたが、この白書によると生育歴のなかで被虐待経験を持つ人は約1割にすぎません。"
malformalady:

A Chinese businessman hid two illegally built extra storeys on his penthouse suite with trees and plants. The penthouse already had a roofgarden, but it was increased in size to deceive neighbours and officials.
380
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"汚い部屋に住んでいる間、人生の時間は止まってしまう。"
lostinrainbows:

Akira (1988), dir. Katsuhiro Otomo
279
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"自分をただ見なさい
雨が降る日もあると知るだけで
心は楽になる"
tomomi-pj:

【130枚】絶対に吹く画像ください カナ速
211
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theme